Monday, August 30, 2010

Artist Indrani Gall video

Dear friends
Sending a link to my interview on the project Separated By 'A' Skin

Indrani Nayar-Gall
Visual Artist
Part-Time Faculty
Dept. of Art & Art History
University of North Carolina, Charlotte

Saturday, August 21, 2010

Artist to reseach

Michael Barnes, The Blessing, lithograph, 18" x 14 1/2", 2009
Daniel Smith Artists Materials
NEW Charbonnel Water-Soluble Inks and Half Price Paper!NEW Charbonnel Water-Soluble Inks and Half Price Paper!
NEW Charbonnel Water-Soluble Inks and Half Price Paper!NEW Charbonnel Water-Soluble Inks and Half Price Paper!
NEW Charbonnel Water-Soluble Inks and Half Price Paper!NEW Charbonnel Water-Soluble Inks and Half Price Paper!
NEW Charbonnel Water-Soluble Inks and Half Price Paper!NEW Charbonnel Water-Soluble Inks and Half Price Paper!
NEW Charbonnel Water-Soluble Inks and Half Price Paper!NEW Charbonnel Water-Soluble Inks and Half Price Paper!

Tuesday, August 3, 2010

LESP Banner

Shared Artists' Studio
Call to Artists:
Keyholder Residency Program

Application Deadline September 1, 2010

The Lower East Side Printshop offers free yearlong studio residencies for emerging artists. The application deadline is September 1, 2010 for residencies starting on October 1, 2010.

The Keyholder Residency includes free 24/7 access to a large shared studio with printmaking facilities, $500 stipend, storage space and basic supplies, exhibition opportunities, educational programming, and support services. Artists from all disciplines are eligible: printmaking skills are recommended but not required, and basic instruction in printmaking is available at no cost.

For more information about the residency, studio facilities, and application requirements, please visit

Lower East Side Printshop

306 W. 37th Street, 6th Floor
New York, NY 10018

The Lower East Side Printshop's programs have been supported in part by public funds from the National Endowment for the Arts, New York State Council on the Arts, and the New York City Department of Cultural Affairs. Private supporters have included: the Milton and Sally Avery Arts Foundation, Carnegie Corporation of New York, Con Edison Company of New York, Greenwall Foundation, International Fine Print Dealers Association, Jerome Foundation, Wolf Kahn and Emily Mason Foundation, Pollock-Krasner Foundation, and Andy Warhol Foundation for the Visual Arts.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs.

This program is made possible in part with public funds from the New York State Council on the Arts, a state agency.

We thank our volunteers, friends, members, and patrons for their dedication, support, and generosity.

Special thanks to our Patrons:

Laura and Lloyd Blankfein, Jacqueline Bradley, Lisa Pevaroff-Cohn and Gary Cohn, Susan Lorber Falk, Laura and Michael Fisch, Charlotte and Bill Ford, Monica Forman, Cheri Friedman, Susan and Richard A. Friedman, Judy and Mark Goodman, Mark and Janet Landau, Stacey and Curtis Lane, Stacy and John Louizos, Jill and Thomas Marino, Jane Nixon, PECO Foundation, Hadley Planting, Andrew Porter, Timothy L. Porter and Carla Volpe Porter, Jane Dresner Sadaka, Christie C. Salomon, Robin and Larry Sapanski, Donna and Robert Shafir, Mary and David Solomon, Cristin Tierney, Elissa Weinstein, Lisa and Lance West.

National Endowment for the Arts NYC Dept. of Cultural Affairs Arai Image


Monday, July 19, 2010

Any one interested please let me know

SGCI logo
SGC International
Student Fellowships 2011
Call for Proposals

SGCI Student Fellowships are awarded to individuals who exhibit outstanding promise in the fine art practice of printmaking. Each institution may submit the name of one graduate and one undergraduate student candidate. In order to be considered, these students and the institutional representative nominating them, must be members in good standing. The students must submit the following to the SGCI Awards Steering Committee:
Guidelines for the Selection of
SGCI Student Fellowships:
The students must submit the following to the SGCI Awards Committee:

A complete set of:

  • Nominating statement by their institution representative, please indicate if you are nominating the student for the undergraduate or graduate student award. (Included in the CD as a word document.)
  • Eight digital images (no larger than 150 dpi, 4" x 5")
  • A proposal (maximum of two pages long) outlining the project that the fellowship will be used for. This should include an abstract, methodology, timeline and budget. The proposal needs to be saved as a Word Document and to be included in the CD itself.
  • Please list contact information on all application materials (name, email address, phone no., mailing address
  • SASE for return of application materials.
The recipients of the SGCI Student Fellowships are presented at the awards ceremony. The award is $500 for the undergraduate student and $1000 for the graduate student. The SGCI President at the annual conference makes the presentation. The SGCI Student Fellowship recipients' banquet dinner are paid for by SGCI if held in conjunction with the awards ceremony.

The recipients of the SGCI Student Fellowships will also be recognized with accompanying images at the following year's award ceremony. Students will be afforded all possible opportunities to be listed in conference and council publications and the website. SGCI will also extend its efforts in presenting student works resulting from the prior year's fellowship monies. Student fellowship winners will provide the archives with digital documentation of work accomplished.

Upon notification, recipients are responsible for acknowledging acceptance of the award along with submitting updated contact information; a short bio and a black and white portrait photograph for publicity purposes.
Calendar of Events:
- Deadline for receiving applications: January 15, 2011

- Notification of recipients: January 30, 2011

- Acceptance response and materials deadline: February 12, 2011

The complete packet must be sent to:

Randy Bolton, SGCI Awards Committee Chair.
Cranbrook Academy of Art
39221 Woodward Ave.
Bloomfield Hills, MI 48303

(; 248-645-3330)
Quick Links...

Saturday, July 10, 2010

Tuesday, June 29, 2010

Want to apply for a residency?

paulThe goal of the Artist in Residence Program is to encourage creativity and growth of our arts community. We provide a beautiful live/work space for you to create, you provide the art!

Artist residencies are available for anywhere from a weekend to a month. Artists interested in a residency submit a proposal of how you would use the time here, a work sample and resume. You may attach images to your email or send us links to your website.

Proposals should include the following information:

  • 10 Images (or videos or audio where applicable) of current work
  • Artist statement
  • CV or resume
  • Dates of stay (a first and second preference please)

Please clearly outline ways in which you will engage the artistic community. Examples may include but are not limited to:

  • Artist talk
  • Workshop
  • Collaboration with Paducah artists
  • Community involvement or exhibition type to be offered during your stay

Each artist accepted into the program must sign a sublease and indemnification before their stay. Stipends are reserved for
selected guests and will be received only after a conclusion statement and images are submitted at the end of the artist’s stay.

Comments are closed.

Friday, June 18, 2010

FSA Logo with TEXT
A Division of Fallbrook Arts, Inc. - A 501c3 non-profit Corporation
Monotype with Master Printer Ron Pokrasso
Meets Sunday July 18th, 9am-4pm
In This Issue
Pamper & Production
Assistance & Education
Quick Links
Join Our Mailing List
We are so pleased to have artist Ron Pokrasso return to Fallbrook to teach this specialty workshop. If you are serious about print making you should not miss this special program. Ron has been an exhibiting artist and printmaker for more than 25 years. He received his MFA degree from Pratt Institute in 1975 and has had over 40 solo exhibitions and more than 150 group shows. His work is in public, private, and corporate collections throughout the U.S. and abroad and is represented by numerous galleries nationwide as well as being featured in several books. Spaces will book fast so register today to guarantee your spot.
Pamper & Production

Nicknamed "Pamper and Production," this very special 1-day assisted session of monotype printing is geared to give you the greatest amount of personal attention and production output. This full day session is 7 hours of work time plus a lunch break.
Included are all Akua inks, monotype plates, set up and clean up services, use of tools such as brayers, ink knives, etc. The only supplies you might consider bringing are any personal tools as well as brushes and collage material.

Assistance & Education
As a Master printer and instructor Ron can offer assistance and education at whatever level is required by the participant. It will be a total production session with some combination of learning techniques and creating finished works.
DATE: Sunday July 18th, 2010
TIME: 9am-4pm
COST: $250 plus Arches 88 paper @ $3.50 per sheet
Or call 760-728-6383 to register over the phone
Visit to learn more about Ron and his work.
Artist Statement

Ron Pokrasso

My artistic development spirals around a need to express, making new discoveries, and continually returning to familiar themes. I have always relied upon things that are close to me, things that speak about the passions in my life and are often derived from day to day experiences. The recent purchase and renovation of a new house and larger studio helped to create a kind of re-invention I had been looking for. With a refreshed energy and a synthesis of old ideas I find myself gravitating again to the figure, landscape, and various icons but with a desire to convey a level of anticipation and mystery.

I work by diving in- the passion of creating is vital. Usually there's a vague general direction, but rarely do I have a clear idea of what will happen. "If I knew where I was going, I'd be lost." Seldom do I try to portray a literal visual meaning. It is more important to allow content to come through me in the working out of a successful composition. This relationship with my art falls somewhere between taking full control and just letting things happen. The result is an exploration of balance between frenzied paint scribbling and the tight rendering of a figure; between the regularity of black and white lettering and a multi-colored paint palette. I like to juxtapose seemingly unrelated or competing elements to create visual and technical contrast. I have a conversation with the piece as it unfolds. As the work takes on its own personality, it lets me know where it needs to go and I attempt to get it there.
The work is complete when it stops asking for more.
Ron Pokrasso, December, 2008

Thursday, June 17, 2010

Akua Inks


Akua Intaglio Inks
Discount Ink Sets

Platemaking Supplies
Discount Carborundum Set

Summer Workshops
with Akua Inks

with Beth Fine
New Mexico
with various artists
North Carolina
with Joseph Loccisano
with Henrik Boegh
and Paco Mora
with Keith Howard

The PinPress
ended June 1.

The winner
will notified
June 4th.

The name of the winner will be announced in our next newsletter.

May Printmaking Newsletter
June 2, 2010
(oops, a little bit late)

Carborundum Collagraph

A collagraph is a platemaking process in which simple materials such as acrylic mediums, textured papers, fabrics, etc. are used to build up the surface of the plate. Silk Aquatint, Carborundumand PhotoCarborundum are considered Collagraphs. These low tech and inexpensive methods will produce rich and highly developed images with out the use of dangerous chemicals or acids.

Carborundum Collagraph Monoprint
Catherine Kernan prints a carborundum collagraph monoprint with viscosity rolls using Akua Intaglio inks.
Catherine Kernan printing a carborundum monoprint.

PLAY VIDEO 3:21 minutes

This video demo shows Catherine Kernan printing multi-registered plates on an etching press. Video demos showing Making a Carborundum Plate and Inking the Plates will be coming soon.

to using Aluminum Oxide
instead of Silicon Carbide
for Carborundum Printmaking

Carborundum is the trade name for Silicon Carbide (bluish black grit). Aluminum Oxide (brownish black grit) is recommended as an alternative. LEARN MORE

  1. Silicon Carbide is harder but it will fracture and break down quicker than Aluminum Oxide.

  2. Aluminum Oxide is rounder in grain while Silicon Carbide is sharper in grain. When wiping the ink off the surface of the plate, the jagged grain of the Silicon Carbide may tear the tarlatan leaving behind small pieces of lint on the surface of the plate. Aluminum Oxide's rounded grain offers a smoother wiping process and decreases the problem of shredded tarlatan.

  3. Aluminum Oxide is more economical. They are both available in the same grades ranging from fine to medium and coarse grits. Print results look the same.