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PRINTMAKING at MCA
information for the students, faculty and staff of the Memphis College of Art
Monday, April 22, 2013
Thursday, April 11, 2013
from Carrie Allison Director of career services
As you are able, please encourage rising juniors, seniors and graduate students to rsvp for the career fair. I have sent them the following email in addition to one sent last week and have only one rsvp so far. It's important to get their information early so I can send information to employers and plan the space/tables needed for this event.
Thank you very much and if you have any questions about this, please let me know.
Thanks!
Carrie
Carrie Allison Brooks, Ed.D.
Carrie Allison Brooks, Ed.D.
Director of Career Services
1930 Poplar, Memphis, TN 38104
901.272.5100 (Main)
901.272.5160 (Direct)
901.272.5143 (Fax)
Tuesday, April 2, 2013
Project green fork Mural competition
Deadline: Tuesday, April 30, 2013
Memphis, TN - Recycling Center Beautification Murals RFP
Eligibility: Local Memphis artists 18 years or older.
Design Award: $1,000
Project Green Fork and the UrbanArt Commission invite local artists to
create designs for two recycling containers in the Cooper-Young District
of Memphis, at the intersection of 1000 South Cooper Street and Walker
Avenue. Project Green Fork has adopted the existing recycling center in
this location, which is intended to be both functional and visually
attractive. Working collaboratively to enhance the cultural and
environmental vitality of the neighborhood, the project partners invite
stimulating designs. Goal of the project is to create artistic markers
that identify the Community Recycling Center as a distinctive Cooper-Young
asset that is positive, culturally rich, diverse, lively, and welcoming to
both residents and visitors. Previous mural experience is not required.
Contact: Siphne Sylve, UrbanArt Project and Community Mural Program Manager
Email: Info@urbanartcommission.org or 901.454.0474
Download the Recycling Center Beautification Murals RFP or
www.urbanartcommission.org/open-projects
Christina Lanzl
Executive Director
UrbanArt Commission
3485 Poplar Avenue, Suite 225
Memphis, TN 38111-4633
Memphis, TN - Recycling Center Beautification Murals RFP
Eligibility: Local Memphis artists 18 years or older.
Design Award: $1,000
Project Green Fork and the UrbanArt Commission invite local artists to
create designs for two recycling containers in the Cooper-Young District
of Memphis, at the intersection of 1000 South Cooper Street and Walker
Avenue. Project Green Fork has adopted the existing recycling center in
this location, which is intended to be both functional and visually
attractive. Working collaboratively to enhance the cultural and
environmental vitality of the neighborhood, the project partners invite
stimulating designs. Goal of the project is to create artistic markers
that identify the Community Recycling Center as a distinctive Cooper-Young
asset that is positive, culturally rich, diverse, lively, and welcoming to
both residents and visitors. Previous mural experience is not required.
Contact: Siphne Sylve, UrbanArt Project and Community Mural Program Manager
Email: Info@urbanartcommission.org or 901.454.0474
Download the Recycling Center Beautification Murals RFP or
www.urbanartcommission.org/open-projects
Christina Lanzl
Executive Director
UrbanArt Commission
3485 Poplar Avenue, Suite 225
Memphis, TN 38111-4633
Friday, March 1, 2013
RBPMW Fellowship
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Wednesday, February 27, 2013
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Anderson Ranch scholarship or residency opportunities
Anderson Ranch Arts Center -- http://www.andersonranch.org/ -- has amazing opportunities for all skill levels this summer!
We host fantastic faculty from across the country to teach week long workshops in the heart of the rocky mountains. Feel free to share the roster with your print friends, students, art enthusiasts, etc!
We have SCHOLARSHIP and INTERN opportunities as well! Email with questions: jmueller@andersonranch.org THANK YOU for checking us out! Happy Printing!
This summer our classes include:
Stanley Scott: Finding Your Mark: Monotype and Drawing --- an awesome class for mixing print media and drawing
Jennifer Ghormley: Mix Your Matrix: Screenprint and Woodcut --- non-toxic methods you can use at home!
Johanna Mueller: Engraving Methods and Repeated Matrix --- Learn engraving on HIPS plastic
Elizabeth Ferrill: Monotypes: Stencils Blends and Transfers --- Monotypes for all levels!
Elizabeth Ferrill: Relief Printmaking: Linoleum --- re-introduce yourself to Linoleum
Deborah Oden: The Matrix of Monoprint --- Monoprint madness with a matrix base
Lisa Bulawsky: Shiftland: The Provisional Print --- Alternative green methods!
Buzz Spector: Advanced Print Critique --- take your work to the next level, great for MFA candidates!
Charle Cohan: Sculptural Plates, Big Prints --- Relief and Collagraph come together in massive size
Matthew Letzelter: Experiments in Combining Print Media --- Intaglio, Relief and Screenprinting
Charlene Liu: Copperplate Intaglio --- Fall in love with Acid
Melissa Bob: Design Dye Print --- Design your own block printed fabric!
Brad Vetter: Ink & Letter --- Hatch Show Prints' Brad Vetter explores letterpress text as art!
Please read the statement
Masterworks: Googlepaedic Narrations and the Dysfuction of Damage
Masterworks: Googlepaedic Narrations and the Dysfuction of Damage
Solo exhibition by Shaurya Kumar
The works of art that Shaurya Kumar creates are multilayered in every way possible. Ultimately, his work is a dialogue about site, how site effects and affects data and therefore a society, a culture, a people and ultimately a person. Through the means of manipulating technology his work acts as the canary in a mine shaft and asks us what we are entrusting to virtual memory, what are we loosing as we gain more knowledge than we can possibly use, and what does it mean when we become better connected with our cyber neighbors than those outside our front door?
Kumar is uniquely positioned to ask these questions, as he lives in a space between two worlds; his former home of New Delhi and his current home in Albuquerque, New Mexico. India’s history, geography, religious and ethnic makeup, and culture are vastly different to the United States and yet these two countries maintain a close relationship. Negotiating this diaspora is an everyday activity for Kumar.
Similar to what we experience with technology, globalization also has its positive and negatives during our time of constant, rapid and invisible change. Kumar uses the process of inevitable destruction as a means by which to transform images. Each image has its past and story but through the gentle manipulation of moving small bits of code these objects are assigned new meanings and infact become new images. Kumar makes work that encourages us to consider these vital questions: What will we retain? What will become eroded? What through time and age will we be loosing? Kumar’s work becomes an allegorical tale cautioning us to be aware, to actively be discerning and safe guarding our history as it belongs to those who come after us as much as the monuments, oceans, forests, and great works of art we document.
- Anita Jung, Associate Professor, University of Iowa
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Robert Blackburn Printmaking Workshop is now accepting applications for the 2013 Studio Immersion Project Fellowship.




