Wednesday, August 26, 2015

artist to research

Johanna Winters "The Decoy"

Wednesday, August 12, 2015

MFA Programs

Hey Printmaking People - just want to let you know that Syracuse University is now offering a 2-year MFA program in Printmaking. In addition to our long-standing 3-year MFA program, students will now have the opportunity to complete the degree in 2 years, if they should choose. Please pass the word on to any of your students or former students who are looking for a dynamite 2-year OR 3-year experience. Thanks!

Here is a link to apply:

Thanks for your help!



Dusty Herbig
Syracuse University, School of Art
Associate Professor-Printmaking - Program Coordinator
Comstock Art Facility
1075 Comstock Ave.
Syracuse, NY 13210

2-year Master of Arts Program in Printmaking at MSU Mankato

MSU Mankato offers a two-year MA program that can be great stepping-stone toward your MFA, as well as an opportunity to gain teaching experience. There are graduate assistantships with stipends available. It would be great to have a printmaker for Fall 2015. Let me know if anyone is interested, wants to visit the shop, and or, has any questions ASAP. (  For Consideration, applications need to be submitted before March 23rd.

Illinois State University faculty and staff are working hard at recruiting graduate applications and had a good pool of graduate printmaking applicants this year.  However, we find ourselves without an incoming graduate for the fall 2015 semester.  One school had a better assistantship, another had a larger program, another had a smaller program or was in a better place – we have all dealt with the many reasons why an applicant might pick one graduate school over another.
In the hope that we may still find the right person for our program, we are contacting you.  Perhaps you have a student who missed application deadlines, or for whatever reason, did not apply to graduate programs but is ready.
Illinois State University offers a full tuition waiver, a studio space, and a 20 hr/week assistantship with a stipend for all six semesters of this three-year MFA program.  The 20 hrs/week is divided between the lithography area, the intaglio area, and/or Normal Editions Workshop.  Students assist in the classroom, maintain facilities, and learn collaborative print skills with visiting artists.  Students may also teach their own course if they prove willing and capable.
For information about our program, facilities, and faculty, please consult the attached document.  You may also visit our website and our facebook page:  
Inquiries are welcome and applications will be accepted and reviewed until the position is filled. Please contact us with information regarding potential applicants.


Sarah Smelser, Associate Professor, Intaglio
Morgan Price, Assistant Professor, Lithography
Veda Rives, Interim Director, Normal Editions Workshop


The Master of Fine Arts (MFA) in Printmaking at Illinois State University (ISU) is a professional degree program emphasizing both theory and practice in the production, history, and teaching of the visual arts.  Sixty credit hours of study are divided between courses in studio arts, art history, internships/apprenticeships, and electives.  Required printmaking classes include upper level courses in Intaglio (Art 345), Lithography (Art 346), Advanced Printmaking (Art 347), and independent studies (Art 444).  The program culminates in a comprehensive exhibition, an oral examination, and a written thesis.

MFA candidates in printmaking will be expected to demonstrate artistic proficiency in printmaking and are encouraged to explore conceptual directions in other media.  While Lithography and Intaglio are significant components of the printmaking program, the faculty teach, support, and critique many other printmaking techniques such as relief, monotype, and collagraph.   The MFA program at ISU encourages interdisciplinary explorations and students frequently explore sculpture, performance, and instillation as part of their printmaking studies.  Along with involvement with faculty and staff from ISU, graduate students have the opportunity to interact with visiting artists through the Visiting Artist Seminar, individual and group critiques, lectures, demonstrations, and print publishing projects.

Printmaking features two classroom/workshop spaces of approximately 2,500 square feet each.  Some of the available resources include: five etching presses of different sizes, three lithography presses with mobile ventilation units, vented copper etching facilities, multiple exposure units for photo-lithographic and intaglio applications, a scanner and large-scale digital printer, vented u-v free room, and letterpress equipment including an electric Vandercook press.

Private studio space is provided in the grad house, an off-campus facility with shared critique/installation spaces and a small wood shop.  Graduate students have 24-hour access to the grad house and the art building/print shops.

Normal Editions Workshop
Normal Editions Workshop (NEW) is a non-profit printmaking workshop and research facility founded in Illinois State University in 1976. This is an enrichment program for the education of students and augments the educational goals of the University.  NEW provides opportunities to work with and observe visiting artists within a professional workshop situation, works of art for study collections and traveling exhibitions, publishing and contract printing services for professional artists.  Students also have opportunities to participate in the NEW special projects class, and assist in the printmaking area’s annual sale and exhibition.  NEW has a  motorized lithography press, preparation and printing areas, office space, print storage files, and a general work area.

Current Faculty and Staff
Sarah Smelser, Associate Professor of Art
MFA, University of Iowa, 1997
MA, University of Iowa, 1996
Mid-America Print Council President (2006-08)
Morgan Price, Assistant Professor
MFA, Wichita State University, 2005
BFA, University of Denver, 2001
Mid-America Print Council Vice-President (2014- present)
Veda Rives, Interim Director of NEW
MA, Illinois State University, 1992
BFA, Illinois Wesleyan University, 1981
Co-Director Program Grants: Illinois Arts Council (1997-present)

Financial Assistance
Graduate students in printmaking receive Graduate Assistantships that include tuition waivers, a monthly stipend of approximately $850/month, and a work expectation of twenty hours a week divided between classroom assistance, shop maintainance, and work in NEW.

A variety of competitive and merit-based scholarships are available for graduate students including: the NEW scholarship for outstanding artistic ability and performance, Fred and Lois Mills Grant, Friends of the Arts Grants, Harold and Marlene Gregor Art Student Travel Grant, The Baber Fellowship, and the Ray Johnson Fellowship.

Admission Procedure
Applicants should contact the Graduate School for admission procedures and requirements. Access information on the web at:

Specific inquiries related to the MFA in printmaking can be directed to:
Becky Fisher, School of Art (309) 438-2728
Sarah Smelser (309) 438-8535
Morgan Price (309) 438-7837
Veda Rives (309) 438-7530

Solutions for screenprinting ink problems

There are times when printing w/acrylic inks that they build up on the paper and become plasticly & tacky. 

The way I've avoided this in most instances is to start w/Lyntex base in for all inks and they seem to trap into the paper better w/a nice matte finish.

The problem seems to arise more when overprinting opaque colors that have white or back in them. This is a far cry from the flat finish one could get from solvent based inks. It's as if Hunt Speedball overprint varnish was used and the surface behaves like bad acrylic paint. 

We use Hunt Speedball Acrylic inks in combination w/Lyntex and Createx peigments to move hue. Inks are modified w/isopropyl alcohol or deionized water and glycerine us used as a retarder.

Thanks for any suggestions you can provide.
Jeff Sherven
Instructional Support Print Media
Visual Studies, Univ @ Buffalo, B44

Videos to watch on utube

Those of you teaching intro printmaking might find these youtube demos of
interest. It looks like quite a bit of work went into these!


You can pick up materials only on Monday, Tuesday or Thursday during office hours in Printmaking.
Professor, Maritza Davila: Monday, Tuesday and Thursday 11:35-12:05, Monday 3:35-4:05.
Instructor Eszter Sziksz Wednesday after class or during office hours
Please pay at the business office and bring the receipt to printmaking (made check to MCA ℅ printmaking)

Business Office Hours

Monday                11am-4pm
Tuesday               11am-6pm
Wednesday          11am-4pm
Thursday              11am-4pm
Friday                   11am-4pm 
Closed on Saturday and Sunday

Paper $2.00

Copper plates
18x24 $93.00
12x 18 $46.50
9x12 $23.25
9x6 $11.65
4x6 $5.85

Gold 9x12 $4.35
12x18 $8.69

Richeson clear carve linoleum
12x12    $12.00

Aluminum Litho Plates
18 x24 $14.00
12x18 $7.00
9x12 $3.50

Lithography Polyester Plates
12x18 $1.85
6x9 $0.95

Lithography Emerald positive plate (photo litho plates)
19 5/16 x 26 1/2 $10.00
8 x 13 $5.00

Polymer plates for letter press

Solar plates
8 1/2 x 10 $10.00
6x9 $5.50

Polyester Plates or pronto plates
8.50x11 $1.50
12x18 $1.90
18x24 $$3.80

KM 43 Photopolymer Plates

Size Inches  

  5¾x8¼  1 Plate  $5.25



Wednesday, July 22, 2015

Juried show

Call for Entry

  Atlanta Print Biennial International Exhibition

Kai Lin Art
November 1-30, 2015
Reception November 6, 7-9pm
Juror: Art Werger

Entry Deadline: September 11, 2015

The Atlanta Print Biennial is an international juried exhibition of hand pulled
prints and works on paper produced by renowned artists from around the
world. The exhibit is organized by Atlanta Printmakers Studio and hosted by
Kai Lin Art, a contemporary art gallery located in the vibrant Westside
District of Midtown Atlanta, GA.

Juried by Art Werger, internationally known master of aquatint, color intaglio
and mezzotint. Werger has been exhibiting for over thirty years and has received
over two hundred awards. He is known for his aerial imagery of cities and suburban scenes as well as for his prolific narrative mezzotints. Werger is Professor of Art
in the Printmaking program at Ohio University, where he has served as
the Foundations Chair and Chair of Printmaking.

This exhibit is open to all artists working with hand-pulled printmaking
processes. Entries must incorporate at least one hand-pulled printmaking
process. Mixed media works are welcome. Purchase awards and prizes
will be given. Entry Fee is $35 for up to 3 entries.

September 11: CAFÉ Entry Deadline

September 30: Notifications Sent

All Entries Online Through CAFÉ:

Monday, July 6, 2015

Information about visual metaphors

Creating effective visual metaphors

visual metaphor

What is a visual metaphor

The remarkable power of visual metaphors

Visual metaphor in pinterest

Visual Metaphor, Cultural Knowledge, and the New Rhetoric

Robert N. St. Clair